Sunday, October 31, 2010

Octopus, Blue Flower and Pumpkins



Last year, it was a ghost and a hand-me-down giraffe costume. It was simple. No fuss.

And dress up is a fun activity, not necessarily restricted to one day in a year. Especially since the Dad in the house is unbelievably sportive, no fuss, no pretensions, not much vanity to inhibit the spirit of things...

Anyway, Ana wanted to design her own costume this year. After considering a pickle and Shaggy (yes, she likes Scooby-Doo, thanks to her dad), she settled on being a flower. A blue flower. Like bluebells. Maybe more teal blue than purplish blue. With petals standing up on the head, not around the face. Maybe not bell-shaped petals per se. Leaves around the neck. Body is the stem.

As she started describing it, we talked some more, and I sketched a possible outfit.

And, since Og naturally tunes into Ana's enthusiasm and interests, he began throwing out suggestions as well. First, he wanted to be a crane - the machine, not the bird. Then, a zebra. Finally, after talking it over with his dad, he decided to be an Octopus. A blue octopus.



Here's some sewing notes on making the costumes



Keeping up the tradition of carving pumpkins, D, the resident carver-extraordinaire, listened to each of the kids' ideas and worked his magic. The two smaller pumpkins from our home-garden were for the adults in the house to design and carve. Mine is just a hint of a kitty in the pumpkin. And D's is a small yet fairly menacing pumpkin-head.



We used two larger pumpkins from the Pumpkin Patch for the kids. Og needed some leading questions, naturally. Do you want circle nose or triangle nose? Square eyes or circle eyes? How many teeth? and so on... which he answered with the confidence and precision only a 2 year old commands :)

Ana designed her pumpkin to be a fairy house. It was quite complicated as in her drawing below. After talking it over with her dad, she made some adjustments in her design and together they came up with an executable plan.



The kids enjoyed scooping out the innards, so, I pretended to be busy elsewhere.



Oggie helped separate and collect the seeds from the pulp, which got roasted in the oven to become a nutrition-packed snack:
  1. Rinse and soak the raw pumpkin seeds in enough water with a tablespoon of soy sauce stirred in, for an hour or even up to overnight (can skip this - I just do it to get the seeds salty enough rather than sprinkling salt afterwards)
  2. Roast in the oven at 275 °F for about 45mins to an hour
  3. Heat some Smart Butter Omega™ Light with some brown sugar - a tablespoon each per half cup of pumpkin seeds (more if preferred); add the roasted and slightly-cooled pumpkin seeds, stir till sugar caramelizes a bit
  4. Sprinkle some ground nutmeg, cinnamon, paprika, black or cayenne pepper, or any favorite blend of spices



I just got over a stomach flu, and Ana just recovered today from similar symptoms... overindulging in candy is not really an issue as we don't. Over-indulging in roasted pumpkin seeds? For sure!

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Saturday, October 30, 2010

A Calendar of Festivals

A Calendar of Festivals
retold by Cherry Gilchrist
illustrated by Helen Cann

Ages 9-12

Barefoot Books

Many communities around the world set aside special day(s) each year to commemorate a certain unique aspect of their cultural proclivity. Celebrated as a festival, these events not only stand to mark the cycle of our calendar, but also provide an opportunity to gather together with family and friends and rejoice, share a meal, and express our wonder and gratitude for life itself.

A Calendar of Festivals presents eight such festivals celebrated around the world, at different times of the year, starting with Purim in March to Russian New Year in December.

A one-page introduction of each festival presents the history, significance, and the traditional manner of celebration still observed today. The story behind the festival then unfolds, with bright and colorful illustrations.

For instance, the introduction to the Indian festival of Holi begins with, "Imagine being allowed to squirt all your friends with different colored paints!" Not having experienced this first-hand, my five-year old daughter found it exciting that children and adults are encouraged (and cheered) to indulge this way once a year, every year.

Celtic New Year fell on November 1st, known as Samhain. The day before was believed to be the time to scare away the ghosts and demons (symbolically our own fears and negativity perhaps?) by lighting bonfires. The book traces how this ancient Celtic festival came to be known as Halloween today.

From Vesak (enlightenment of the Buddha) to the Japanese festival of Tanabata, from the ancient Roman midwinter celebration now observed as Christmas to a relatively modern festival of Kwanzaa created by Dr.Maulana Karenga, the book manages to inform and entertain the young readers.

The book does touch upon the underlying deistic beliefs for each festival, drawing from mythology, folklore and biblical references. While the book doesn't intend to be a comprehensive list of popular festivals, or an exclusive subset of lesser-known festivals, there is a conspicuous absence of representation from certain cultures that would have made this book wholesome and well-rounded.

[image source: amazon.com]
[this post written especially for Saffron Tree's CROCUS 2010]

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Monday, October 25, 2010

The Spider Weaver


The Spider Weaver
A Legend of the Kente Cloth

by Margaret Musgrove
illustrated by Julia Cairns

Ages 4-8

The Blue Sky Press
(an Imprint of Scholastic Inc.)

Anyone who has laid eyes on the striking pattern of fabric known worldwide as the Kente (ken-tee) cloth, interwoven with brightly colored strips, cannot easily forget it. Kente cloth is native to the Akan people of Ghana and Ivory Coast.

How did this wonderful Kente cloth come about? Legend has it that long long time ago, a spider created an intricate and elegant web that inspired the weavers to emulate the beauty and create a unique fabric fit for royalty.

Nana Koragu and Nana Ameyaw were skilled weavers who mostly wove nwen-ntoma (nnwen-un-toe-ma) - a simple cloth - that everyone from kings to the common people wore. Late one night, while returning home with their catch, they happened upon something that seemed to them like a small miracle: a spider web with such wondrous design that has never been seen.

The story goes on to tell us how Ameyaw and Koragu watch The Master Web Weaver - a lovely large yellow-and-black spider - in awe, as the spider shows them a special dance that is both regal and graceful, teaching them, inspiring them to create their own weave.

Ameyaw and Koragu, excited about this gift from the spider, redesign their looms, dye the threads in bright colors and develop many new patterns, naming the new woven cloth kente-nwen-ntoma, now known simply as kente cloth.

The illustrations are bursting with color much like the kente cloth, showing scenes from the village life - a nursing goat, a playing child, women pounding on the mortar/pestle, a calabash filled with water... as well as showcasing the lush vegetation of the nearby forest with the monkeys watching from the trees and elephants foraging peacefully...

The book does not attempt to explain the process of kente cloth weaving, but, there is an interesting description of the origins of the kente cloth, as well as the significance of the specific patterns used in contemporary kente cloths. The afterword offers a simple pronunciation guide for some of the words the story.

[This post written especially for Saffron Tree's CROCUS 2010]

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Sunday, October 24, 2010

Ballet

The art and tradition of ballet is joyfully celebrated around the world to this day. There are a number of books on the subject appealing to all cross-sections of the audience, ranging from history and discipline to stories and music that make this dance form seem magical.


A Child's Introduction to Ballet laura leeA Child's Introduction to Ballet
The stories, music and magic of classical dance
by Laura Lee
illustrated by Meredith Hamilton

Ages 9-12

Why do ballet dancers stand like ducks? Why do they wear the puffy skirt? Why do they spin and leap and stand on tiptoes so much?

In A Child's Introduction to Ballet, we find answers to these common questions, as well as a child-friendly introduction to the history, the discipline itself, and the classic stories of ballet. The accompanying CD has several tracks showcasing music from the various classic ballet stories we read in the book.
  • Ballet was invented in Italy, though it got shaped in France to become what it is today.
  • In the 1700s, King Louis XIV of France, himself a dancer, performed on stage, thus encouraging the nobles to do the same.
  • Initially, women weren't allowed to perform ballet - men danced the women's part, much like in other theater arts.
  • And, the music wasn't specifically written for ballet recitals back then - dances were performed to the songs that were already popular.
  • When women dancers finally took the stage, they wore full-length skirts in fashion then. But, gradually the skirts got shorter, to allow for the elegant and vigorous leg work and steps to be seen and appreciated, in addition to facilitating movement, of course.
These facts are only a part of this charming compendium, which also tells the stories of the famous ballets - from The Nutcracker to Swan lake, Peter and the Wolf, La Sylphide, Rodeo, and many more, with full-page illustrations for some.

The emotional entanglements of the characters, the racy themes of some of these ballet stories that we take in our stride as adults may not be best suited for children in the 4 to 8 age group. But, some of the universally popular stories like Swan Lake, The Nutcracker, and Cinderella easily appeal to the young and old alike. Especially considering that there is a version of Cinderella story from practically every continent.

Tidbits about famous ballets, the stars and the roles they are most remembered for are strewn throughout the book like: Swan Lake was a flop when it premiered, even though it is one of the most popular classical ballets in the world today; an eight-year-old Anna Pavlova watched a performance of Sleeping Beauty and decided then and there to devote her life to this dance form, going on to become one of the prima ballerinas of her time; when Marie Taglioni, who made dancing en pointe popular, finished her final performance, it saddened many devoted admirers so much that they actually ate her shoes in her honor.

The five basic positions, the various steps and movements like plié, jeté, pirouette, arabesque, entrechats are presented in easily understandable format. Back of the book provides a glossary of terms as well as further reading.


bareoot books ballet storiesBarefoot Book of Ballet Stories
by Jane Yolen and Heidi E.Y. Stemple
illustrated by Rebecca Guay

Ages 9-12

The beautiful illustrations first attracted me to this particular anthology of classic tales from ballet which presents Coppelia, Swan Lake, Cinderella, The Nutcracker, Shim Chung, Sleeping Beauty, and Daphnis and Chloe.

A one-page introduction to each tale provides some information about the history and the making of the ballet itself - the music, choreography, premiere, star dancers who are identified with the main characters to this day and so on.

The stories themselves are told in easy-to-follow text, rich with drama and description. The accompanying illustrations are nothing short of magical. The borders/frames on some of the pages make for an extra visual treat.


ballet school learn how to danceBallet School
Learn How to Dance with the Central School of Ballet
by Naia Bray-Moffat
photographs by David Handley

Ages 4-8

Photo books have a certain appeal that suggests reality much more than illustrations can, naturally. Ballet School is one such photo book that focuses on introducing aspiring ballerinas to an inside look at the dedication and discipline it takes to realize their dreams.

This is Jamie's first day at ballet school. From Getting Ready to Showtime!the book takes us on a journey with Jamie as she learns about posture and positions, practicing on the barre, balancing and leaping, even improvisation, to finally her year-end performance.

The various facial expressions like scared, sad, angry, happy that kids sport on the Improvisation section is one of our favorites at home. It helps convey the fact that even with no talking and mostly instrumental music, the story gets told through the dancer's movements and facial expressions.

We feel a certain sense of accomplishment along with Jamie when she is ready for her pointe shoes, and finally, performs a dance she put together herself - a dance about a fairy princess.!


My First Ballet Recital, by Amy Junor, Ages 4-8

Much like Ballet School, this is a photo book where Jamie and her classmates show off what they have learnt as they get ready for their first recital.


The Nutcraker Ballet
retold by Melissa Hayden
illustrations by Stephen T. Johnson

Winter, for some of us in North America, not only brings chill weather and holiday spirit, but the tradition of... The Nutcracker Ballet! Since its American production in 1954 staged by the legendary George Balanchine, this story about a little girl's adventure on a Christmas Eve has been performed annually, almost ceremoniously, for millions around the world.

The book is retold by prima ballerina Melissa Hayden who has performed in The Nutcracker Ballet countless times.

The text is quite descriptive as the story unfolds, with full-page illustrations complementing the story well.

For the four to five year olds, there are many series books which present adorable characters who are aspiring ballerinas - like Angelina Ballerina (Katharine Holabird), Ballet Sisters (Jan Ormerod), Belinda Begins Ballet (Amy Young), as well as stand-alone picture books that are straight and simple like Time for Ballet (Adele Geras) to the witty and delightful Miss Tutu's Star (Leslea Newman), to name just a few.

Being a much-adored dance form, there is no dearth of books on the subject which help us understand and appreciate the beauty and grace that comes from sheer hard work and perseverance.

[image source(s): amazon.com, Midlothian Library, Powell's Books]

[this post written especially for Saffron Tree's CROCUS 2010]

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Saturday, October 23, 2010

CROCUS 2010 starts today!



Saffron Tree is a growing repository of children's book reviews. For the last three plus years, I have shared wonderful children's books at Saffron Tree and come to learn about many more.

Please join us as we get ready to embark on a week-long virtual odyssey with our second annual festival, CROCUS: Celebrate Reading Of Culturally Unique Stories.

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Wednesday, October 20, 2010

By The Light Of The Halloween Moon

By The Light Of The Halloween Moon
by Caroline Stutson
illustrated by Kevin Hawkes

Cumulative rhyming text with progressively complex build-up leading to a possibly anti-climactic twist at the end certainly has its appeal. At least for me.

The lilting text and whimsical illustrations seem to have appealed to both the five- and two-year old in residence, making this book a recent favorite in our household.

Celtic New Year fell on November 1st, known as Samhain (Summer's End), possibly coinciding with the harvest. The day before was believed to be the time to scare away the ghosts and demons (symbolically our own fears and negativity perhaps?) by lighting bonfires, which, history tells us, is possibly one of the origins of Halloween (All Hallows Evening) as celebrated today.

Halloween, with its roots reaching across many cultures, is probably not embraced universally - elements of anxiety and foreboding seem to be practically mandatory around this festival. Especially since the various supernatural and unearthly creatures are supposed to swarm the human world on this particular eve, seizing their one chance to live up to their names.

While we focus on harvest and read many wonderful books on the subject at home, it is nice to indulge once in a while and pick out a "Halloween" book, whether we choose to celebrate it or not. Especially when it has something interesting to offer, not just run-of-the-mill.

The illustrations in By The Light Of The Halloween Moon are delightful: All we see at the top of the page is a decrepit wooden bridge over marshy water that reflects a full moon, with a pair of legs dangling.

A toe!
A lean and gleaming toe.
That taps a tune in the dead of the night
by the light, by the light, by the silvery light of the Halloween moon!

Thus starts this tale, with the slip of a girl sitting by the river wriggling her innocuous toe.

One by one, a (thin black wisp of a spying) cat, a (watchful) witch, a (bungling bouncy breezy) bat reach for this tapping toe. Each one thwarting the previous one's attempt in order to get the said toe, and its owner, for themselves.

A ghoul, a ghost, a sprite come along doing their best to get that toe, while not letting the others get it first, quite unbeknownst to the girl who is quietly playing her violin under the silvery moon. That is, until she notices and...

smacks the sprite,
who bites the ghost,
who trips the ghoul,
who swats the bat,
who bumps the witch as she snatches the cat,
when he springs through the air to catch the toe,
that taps a tune in the dead of the night...

Kevin Hawkes (whom we first encountered in Library Lion) adds clever touches that are witty and whimsical, invoking a mixture of absurd and scary at the same time, on each double-page spread that has a pitch black night as the background.

As each creature reaches out for the toe, the tension builds up as the young readers hold their breath wondering who will eventually grab the toe and assimilate its owner.

However, the mounting suspense is beautifully counterbalanced by the little touches in the illustrations that even the two-year-old found amusing. For example, the expression on the little black cat's face when the witch snatches him and tucks him under one arm, while the saucer-eyed bat bungles on with a wild and startled expression, instigates un-muffled giggles in both the two-and-five-year old every time we read it.

Also, having a resident black cat, one of our much-hugged and totally-adored pet, probably helped nix any superstitions/fears regarding these sweet yet misrepresented creatures.

All that anticipation is not wasted when we see a self-assured girl stating in no uncertain terms, "Oh no, you don't!" as she smacks the sprite when it almost had her toe.

Now you get the picture, don't you?! The book is not so much about showcasing the scary creatures in their hair-raising form or dismissing them with goofy enough representations to inspire unadulterated laughter. It presents what could be a very real close-encounter-of-sorts if we let our fears manage us, while subtly planting the message that all the little girl has to do is stand up for herself and refuse to be intimidated or victimized by things that assume they have some sort of power over her.

At least, that is one possible interpretation this mom likes to contrive.

Although the supernatural world is crossed with reality when the girl encounters these strange beings while relaxing by the river, the book also presents a powerful tool at every child's disposal: "No! Go Away!" is all the little girl had to say to banish them from her realm and gain control over what she feels and experiences - tangible or otherwise.

The book is certainly not in the cute end of the spectrum, nor is it in the spine-chilling end. It has elements that could potentially unsettle an impressionable child, even if temporarily: why do they want her? what would they do with/to her? - are relevant questions in this context, but rather moot. The overall tone is quite cheerful and affirming - especially the last page where these creatures just disperse quietly knowing they've been categorically rejected.

The feet-tapping rhythm and lively unfolding of events, coupled with delightful illustrations, makes this book a real treat, possibly even an emerging a Halloween classic for us, much like The Night Before Christmas has become the Christmas eve tradition.

[image source: multcolib.org]

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Wednesday, October 13, 2010

Non-fiction Animal Picture Books for Toddlers


Over summer we read a number of non-fiction animal picture books for toddlers, among other things. Some were quite bland and boring, some had stunning visuals but pretty staid text, and some were quite a delight as they offered interactive reading along with clever visuals.

Collected here is a small subset of amazing non-fiction animal picture books, presented in no particular order, that captivated not just the resident toddler but me as well, and interested Ana too.

It is not a coincidence that many a book listed here are by the same author. Being a specialized yet accessible topic, it stands to reason that quite a few authors have consistently managed to present engaging, entertaining, and informative books.

Along the way, I've grown to love and respect Steve Jenkins and Robin Page thanks to their breath-taking books. And the kids have come to recognize their distinctive visual style.

Quite a number of the books collected here are part of a series that explore similar themes and are all equally appealing, even if the all the titles in the series are not listed below.

The toddler-friendly non-fiction animal books we've read roughly falls into one of these broad categories, some of which overlap, of course:
  1. Animal Clues/Guess the Animal: Some distinctive part of the animal is displayed while the rest of it is hidden and we are invited to guess
  2. Animal Facts: Through rhyming verse or Q&A style text, basic facts about the animal like its habitat, food, dangers, mating, family, distinguishing features and so on are presented
  3. Animal Habitat: A particular habitat is the backdrop for showcasing animals that thrive there
  4. Abecedary: Animal ABC books that simply provides names and pictures of various animals
  5. Animal Babies, Animal Groups: The names that animal babies go by (cygnet, joey, codling) or the animal groups go by (a murder of crows, a rookery of penguins), as well as how they are carried and cared-for by their parents, presented with straightforward text
This is by no means an exhaustive list, and I am sure we will be reading more wonderful books along the way and collecting them here.


What do you do with a tail like this?
by Steve Jenkins and Robin Page

(Reviewed here a couple of years ago)

The book is beautifully illustrated using cut-paper artwork, with amazing likeness to the animals represented.

Each double-page spread shows zoomed-in view of a particular body part of a set of animals, say nose, asking What do you do with a nose like this?

This works at two levels - first, to identify which animal each nose belongs to; second, to learn how these noses are used by these animals. The following double-page spread shows the animals in full form so we can identify who the nose belongs to, with a brief sentence highlighting what each animal does with its nose.

If you are a platypus, you use your nose to dig in the mud shows an accompanying picture of a platypus sticking its nose in the mud. The physical arrangement of the pictures are the same in both spreads making it consistent and easy to follow.

For older readers, there is additional information on each animal at the back of the book.

Fascinating facts about amazing animals, presented with wonderful visuals through rich cut-paper illustrations in a child-friendly way seems to be the hallmark of author/illustrator Steve Jenkins' books, some of which are mentioned below.



I See a Kookaburra!
Discovering Animal Habitats Around the World

by Steve Jenkins and Robin Page

Six different animal habitats are presented here, with eight animals from each habitat.

Much like What Do You Do With A Tail Like This?, a double-page spread presents the habitat prominently, and sets the stage for introducing the animals that live there: In a tide pool along south England I see...

On this page, we see various animals well-hidden in and around a pond with just a small part of them showing through. On first read, it is quite a challenge to guess these hidden animals unless one has studied various biomes around the world. The following page removes the visual display of the habitat, revealing just the animals in their full form, accompanied by a short description about them.

At the back of the book there are thumbnails of the animals with some facts presented in a child-friendly way.

The cut-paper art work is stunning and inspiring. We've lined up quite a few cut-paper collage projects to emulate the spectacular visuals in this book - to be attempted over winter holidays, of course.

After reading this book, I was thrilled to hear Oyster catcher, Natterjack toad, Cassowary, Muskrat, Kangaroo rat, Secretary Bird, Serval and many more animals feature in our "I'm thinking of an animal..." game we play - sort of like 20-questions, only animals.



Almost Gone
The World's Rarest Animals

by Steve Jenkins

We learn about many of the animals on the verge of extinction, and a few that are gone forever, along with some rare species that have made a comeback thanks to diligent efforts.

The book starts off by explaining in a child-friendly way what makes an animal species endangered. The cut-paper artwork on a stark white background makes each endangered animal stand out majestic and beautiful. The accompanying text shares some facts about its range, behavior, diet, and some of the conditions that threaten its welfare. The actual number of animals remaining (at the time the book was written) is noted, tugging at our heartstrings.

While I read it in its full form to Ana, I paraphrased and presented one-or-two-sentence tidbits to Oggie as it seemed more appropriate for his age, with emphasis on the names and features of these animals.

As with the other Steve Jenkins' books above, the visuals are strikingly realistic and truly awesome.


Looking Closely across the Desert
by Frank Serafini

Through a tight close-up on a stark black background, Frank Serafini, zooms in on a small part of an object, inviting us to guess what it is: Look closely what do you see?

The first page shows a reddish-purple surface with tan-colored bumps on it asking, Look Closely... What do you see? A Pincushion? A Monster Skin? What could it be?

Turn the page, and we see the answer in its full form: A Prickly Pear Cactus. A couple of short paragraphs gives more information about it, including the fact that people use these juicy plump fruits to make jams and jellies!

From Spiny Lizard to Big Horn Sheep to Diamondback Rattlesnake, from Sandstone wave to Saguaro cactus flower to Agave, we learn about things that live in desert ecosystems. The book compels us to take a closer look at flora /fauna and even landscape that are an integral part of the Earth and learn to appreciate their uniqueness.

Also in this series, Looking Closely along the Shore, Looking Closely in the Rainforest and a few more.


Where in the Wild?
Where Else in the Wild?

Camouflaged Creature Concealed... and Revealed
by David M. Schwarz and Yael Schy
Eye-tricking photos by David Kuhn

Following the success of Where In The Wild?, Where Else In The Wild? presents more animals that we may miss completely even if they are right under our noses.

A poem about the animal clues us in on the camouflaged creature featured on that page. But, even with that help, it is quite challenging to spot some of these animals that blend so well with their surroundings that it is awe-inspiring.

Despite the poems being a bit beyond his current language skills, Oggie could hardly contain his fascination for this book. Of course, after the first few reads, it is easy to spot the brilliantly blended creatures. But, that does not take away the amazing adaptations that evolution has honed in these animals.

And, not being familiar with some of them (especially Scorpionfish and Ambush Bug) made it tougher for me to spot them even with the poem, and I had to open the flap to find out.

This is another great book that urges the children (and adults) to keep their eyes open and look closely at their surroundings teeming with life concealed.


Whose Eyes Are These?
Animal Clues series
by Joanne Randolph

Much like the Looking Closely series mentioned above, these photo books present a zoomed-in picture of the eyes of an animal with a question that describes the pair of eyes: Whose orange eyes are these that help it hunt?[the eyes shown on the cover].

We turn the page to find out that the Owl's orange eyes help it hunt. And, even though the cover image shown here seems a little disconcerting, this is quite a toddler-friendly book with bare and precise pictures and text introducing some interesting animals.

Whose nose/ears/toes/tongue are these? are all part of this series. I particularly enjoyed Whose tongue is this? as it showed us that tongues are not always pink , but can be black and blue.


Honk Honk Goose
Canada Geese Start a Family
by April Pulley Sayre and Huy Voun Lee

Honk Hee-honk Honk! hisses the gander as he chases away intruders and other suitors when he finds his mate.

Thus starts this informational book that tells the story of how a gander and goose mate and finally start a family.

The dangers along the way, the diligence and dedication with which Father goose guards his mate as she lays one egg each day, their minor setback of losing one egg to a raccoon, culminating in the the hatching of their six babies, all make for a very interesting read-aloud session. Especially the Honk! Honk-hee-honk! Honk! sound effects repeated often to point out the various situations in which the gander employs it to his advantage.

The cut-paper collage work is beautiful and it complements the text well. The last page zooming in on the gander's hiss is both menacing and endearing.

At the end, the book offers some notes on the mating habits, history, and science behind their behavior, charging the young minds to start observing the next time they are in the vicinity of these plucky birds which were on the endangered list about a century ago and have made quite a comeback.


A Platypus' World
by Caroline Arnold

Caroline Arnold's Animals are a series of books by the author that provide a nice bridge between visually-powerful picture books and text-heavy fact books.

A Moose's World, A Walrus' World, A Wombat's World and many more in this series have a distinctive style and presentation that focuses on the life-cycle of the creatures - from birth to when they are ready to be independent and care for themselves and finally procreate to complete the circle.

While Ana followed the text along easily, I did paraphrase it for Oggie to make it more accessible and engaging for his age and interest level. The facts are wrapped in a simple story where the protagonist is a baby animal with whom we instantly form a bond.

The simple artwork by Ms. Arnold captures the physical uniqueness of the creature and becomes the focus as we read the small box of facts on each page.

At the back, there is a map of where these animals can be found around the world, as well as some additional facts that might fascinate older readers.


Carry Me!
Animal Babies on the Move

by Susan Stockdale

Much like Linda Ashman's Babies on the Go, Carry me! shows the different ways in which animals carry their young. Simple text makes it easy for toddlers to follow along. The colorful acrylic illustrations, bright and uncluttered, manage to indicate motion - purposefully striding African Jacana, flying bat, wading Great Crested Grebe...

Clutched to their breasts (Bats), tucked in their pouches (Kangaroo), braced beneath their wings (African Jacana), gripped in their teeth (coyote)... we learn about the care with which many of the animal parents carry their babies.

The book ends with the sweet and comforting image of a mom hugging her child, with the words Safe and snug, the way your mother carried you.

Notes at the back presents thumbnail images of the animals along with some facts about them.



Meet The Howlers
by April Pulley Sayre and Woody Miller

We get introduced to Mama, Papa, Sister, Brother and Baby on the first page, setting the stage for learning more about Howler monkeys as we read the book.

The whimsical yet lyrical text showcases the behavior of the howler monkeys by simply stating what they do: Baby hitches ride on Mama's fur, No one says he lazy or too big for her.

The illustrations using acrylic, water color, crayons, and color pencils present a lush and animated picture of their lives. The bright colors in the full-page sketches balance playfulness and authenticity, neither wrapping them in saccharine cuteness, nor make them eerie and distant.

A few sentences of facts on each page expand on the verse, providing just enough information to keep the young ones engaged. The Woo-hoo-hoo!/AH-UH-OH! refrain repeated periodically throughout the text reiterates the origin of their name, and makes reading aloud fun.

Back of the book provides a map of their range and some additional facts.


Meet the Meerkat
by Darrin Lunde, illustrated by Patricia J.Wynne

While the title might suggest similarity to Meet the Howlers mentioned above, Meet the Merkat is by an entirely different team, with quite a different presentation.

Author Darrin Lunde is a mammalogist for the American Museum of Natural History. His two books Bumblebee Bat and Meet the Meerkat presents facts about the respective animals in a friendly Question-Answer style: Hello little animal, what is your name? we ask, and he answers, My name is Little Meerkat. I am a kind of mongoose.

As we pose questions like what does he eat, does he live alone, what does he do all day, does he make any sound, we learn a lot about the life of these animals in a few short crisp sentences.

The watercolor, ink, and colored-pencil illustrations by award-winning scientific illustrator Patricia J. Wynne not only capture the activities of these animals but presents the landscape in its stark and barren state which impresses upon us the struggle of these animals to forage and keep themselves fed.

This became a favorite bedtime read, especially as the last one of the pile for the night, because the last page shows the meerkat family curled up in their den under a cloudless dark night sky as we say Goodnight!


Kangaroos Have Joeys
by Philippa-Alys Browne

Philippa-Alys Browne 's eye-catching style held our attention as we read A gaggle of geese : the collective names of the animal kingdom and African Animals ABC (Barefoot).

Kangaroos Have Joeys introduces us to the names of twenty-four baby animals through simple rhyming verses, accompanied by gorgeous and bright illustrations with distinctive pattern.

"Cods have codlings / Penguins have chicks / Moose have calves / Rabbits have kits."

Some familiar ones like horses and ducks as well as off-beat ones like codfish and moles are presented. I learned a new fact or two from this book. Notes at the back of the book provides additional information about these animals.

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Sunday, October 10, 2010

Children's Book Reviews



Kids Arts and Crafts Posts



Wednesday, October 06, 2010

One Green Apple


One Green Apple
by Eve Bunting
illustrated by Ted Lewin

Starting with the gentle themes as in Hurry Hurry, Flower Garden, through knotty feelings that make growing up difficult as in Little Bear's Little Boat, all the way up to complex layers of emotions addressed in books like Terrible Things (An Allegory of Holocaust), Train To Somewhere, Eve Bunting has become a much-admired and respected author in our house.

One Green Apple is about little girl Farah, uprooted from her country by circumstances beyond her control and re-planted in a new country, gingerly taking her first step in her path to confident integration as an immigrant.

The story narrates a short episode in Farah's life: her second day in the new school, going on a field trip to a local apple orchard with her class. Her apprehensions about seating during the ride (boys didn't sit next to girls in her country), or the dupatta she wears over her head as is the custom in her country/culture seem very real and understandable.

Some are friendly. But some look at me coldly and smile cruel smiles. I hear my country mentioned, not fondly.

However, Anna, who is sitting next to Farah during the ride, uses the universal ice-breaker: a smile and her own name by way of introduction. Pointing to herself in response, "Farah" she declares with a beautiful smile.

The teacher proceeds to instruct the children to pick one and only one apple to be taken into the shed for slicing, juicing and sharing, taking extra care to use exaggerated expression for Farah's sake.

Ms.Bunting conveys Farah's discomfort at this via her private thoughts, "I understand. It's not that I am stupid. It is just that I am lost in this new place"

While the other kids are busy picking out the reddest sweetest apple, Farah chooses one green apple from a lonely short tree.

When they all toss in their apples into the machine in the shed, the teacher is surprised at Farah's choice of one green apple, but lets it go. Farah lends a hand as the children work together to extract the juice from the machine.

I think I taste my special apple, Farah says to herself as she sips the fresh cider.

While some things are unfamiliar, Farah notes that the crunching noise of the dogs eating the fallen apples, the tickle of hay with its smell of dry sunshine, the loud belch that instigates laughter are the same as at home. Laughs, sneezes, belches and lots of things.

It is the words that sound strange. But soon I will know their words. I will blend with the others the way my green apple blended with the cider.

Ted Lewin's illustrations drench each page with the light and warmth of the sun, projecting hope and cheer. The penultimate page zooming in on Farah's face which sports a genuine smile hinting at self-assurance is priceless.

Neither preachy nor heart-wrenching, the narration flows gently revealing what it might feel like to be a Muslim immigrant attending school in the U.S.

The obvious questions Ana asked were, "Why did her family have to move?", "Why couldn't she learn English in her country?". While immigration is not easy for a five-year-old to understand, fortunately I did have a point of reference to talk about it: Ana has expressed interest in going to France, living there, and learning ballet. (Possibly triggered by some of the non-fiction book we read on ballet recently). When I reminded her that her ballet teacher will be speaking in French and so will most of her friends and she will need to learn the new language, Farah's predicament started making sense. The feeling of displacement and the comfort in feeling welcome in a new place were emotions she could relate to.

[Cross-posted at Saffron Tree]

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Tuesday, October 05, 2010

Miss Tutu's Star


Miss Tutu's Star
by Lesléa Newman
illustrations by Carey Armstrong-Ellis

Over summer, we read an assorted collection of books on ballet: picture and photo books, fiction and non-fiction.

A separate post is on the works is published to share some of the non-fiction titles that appealed to us.

For now, Miss Tutu's Star has bowled us over, making us giggle uncontrollably, even keel over laughing at times, that I wanted to dedicate a post to this delightful book .

Ms. Newman's lyrical text is catchy and easy for Ana to read by herself; and, is a pleasure for me to read aloud to both Ana and Og. Yes, Oggie sits in on ballet and fairy books I read with Ana:)

The illustrations by Carey Armstrong-Ellis elicited un-muffled laughter as they told little stories of their own on every page, while managing to depict and complement the text successfully.

Selena is a little girl who does not walk so much as twirl.

Thus starts this simple story about little Selena who wants to learn ballet more than anything else. And she does, as the story culminates in her first recital.

What could be more inspiring than to read about a little girl who achieves her dream, with diligent practice and perseverance?

If this sounds fairly run-of-the-mill, banish that thought. The clever and playful illustrations conceal little nuances that we might miss in the first read unless we take our time to relish each page. I could relate to almost every little bit woven into the illustrations like:
  • Selena's infant sibling on mom's backpack carrier is busy clutching a handful of mom's hair and tugging it
  • Selena's mom starts knitting a scarf while waiting in Selena's dance studio during her lessons and manages to create a 3 mile long one which wraps around quite a few cold necks in the audience at Selena's debut
  • Selena's baby sibling manages to crawl, toddle, walk - grow- by the end of the book indicating the elapsed time from Selena's first ballet class to her first recital
But, best of all is the portrayal of Miss Tutu, the ballet teacher - regal and elegant, yet kind and patient, - plus her little kitty. Yes, her little striped gray kitty. His presence in every page not only aptly captures the feline antics but adds to the mood of the moment through his human-like expressions.

Growing up with two sweet and independent kitties at home, Ana could easily recognize the body language and expressions of Miss Tutu's kitty, adding another layer of hilarity in a book that is already jam-packed with mirth... especially as we see this frisky little kitty grow up right along with the kids, finally chasing a mouse as is his wont, on stage, during Selena's recital .

The last page showing Selena taking a bow is a masterly touch that unmistakably triggers convulsive giggles in my kids (and me, even if I won't admit to it in public) and ties in perfectly with the front cover image, making us give this book a full round of applause. Every time we read it.

While filled with witty charm that elicits chuckles all the way, the story also manages to elegantly impress upon would-be ballerinas the lesson of perseverance and practice leading to realization of one's dream.

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Sunday, October 03, 2010

Tillamook Cheese Factory


About a decade ago, when we were new in town, before the kids were anywhere in the horizon, I remember visiting the Tillamook Cheese Factory casually, as an aside, when we were exploring the Three Capes Scenic Route, right after a wonderful day at the Oregon coast.

Having made small batches of cheese at home, primarily to experiment with plant rennet (vs. animal-derived rennet), the process was not entirely new to me. However, I was bowled over by the magnitude and commitment to quality, in addition to the fact that Tillamook Cheese Factory primarily uses plant-derived rennet for most of its cheeses, especially their award-winning medium-sharp cheddar, a favorite at home.

And they state clearly when they use traditional rennet: "Our unique flavor profile of Tillamook Vintage White is a result of using traditional rennet."


Since that visit, our family has consumed many a loaf of excellent Tillamook Cheeses, valuing its wholesome goodness. And, we've suitably impressed visiting friends and family with this particular local attraction.

So, when we were heading back from a wonderful day at the beach near Bay Ocean Spit this weekend, we seized the opportunity to introduce the kids to large-scale cheese-making at the Tillamook Cheese Factory. They were suitably awe-struck. At least, Ana was, for sure.


She helps pick out the cheese these days during the shopping trips and recognized the wrapper and loaf, as well as the familiar brand name. To see the large blocks cut into the standard loaf size and travel along the conveyor belt, finally emerging wrapped and ready to go must've been quite a thrill.

The added attraction was the cheese-tasting, and the luscious Tillamook Ice Cream, of course, in impossibly addictive flavors!

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Friday, October 01, 2010

Into the Volcano

Into the Volcano
by Don Wood

Ages 9-12+

Blue Sky Press (a Scholastic Imprint)

Don and Audrey Wood are much loved in our house - right from Silly Sally to The Big Hungry Bear to The Napping House to Quick as a Cricket. And judging by how the house has been ringing with Sumo and Duffy and Come-and-Go and Pulina and Mango Joe... we can safely add Into the Volcano to the list.

Into the Volcano is a visually striking, intense, and exciting graphic novel packed with adventure for all ages.

Graphic novels aren't an underground cult anymore, primarily targeting adult audience with their rather mature content. The wide array of award-winning graphic novels designed for the young audience are used intentionally by educators and librarians to motivate children to read. Can graphic novels be considered "literature"? and is it really "reading"? Based on some of the wonderful graphic novels we've come across, there is no doubt in my mind about its potential and merits.

Some narratives flow well in pure text, some topics/concepts are best presented in picture books, and some themes unfold well as wordless picture books; however, there are some stories which can be justified only by a presentation that combines elements from these various forms - much like a movie - the facial expressions/body language, the dialogue, the sequential arrangement of visuals all work together to make reading graphic novels an experience to savor.

Into the Volcano starts off with a bang. One fine day, two brothers Sumo and Duffy Pugg are unexpectedly pulled out of school by their father. They are instructed to embark on a trip to visit an aunt they've never met, who lives in a far off volcanic island, Kocalaha. As soon as they land, they are hustled off on an expedition, with very little information and no inkling of what's in store: a perilous boat ride, an erupting volcano jolting the entire island, with rivers of lava blocking their exits...

Aside from this mainline plot, this is a sort of coming-of-age story where the boys have to overcome their personal limitations, and learn about greed and treachery the hard way. The main characters grow in complexity as the novel unfolds, and the rest of the characters are quite unique as well.

The author bio in the back flap of the book notes that Don Wood took nearly five years to to complete this novel, and most of the images and experiences are first-hand: Don and Audrey Wood live in a tropical jungle not far from one of the longest lava tubes in the world.The images Don Wood presents are through his eyes as a surfer and a sailor, a spelunker and a climber - large waves, gentle wave, tall cliffs, narrow trails, streaming lava, boat in stormy seas, undersea lava tubes... sights we may never get to see otherwise, places we may never get to explore, experiences we may never have imagined...

I had borrowed this book from the library for myself, thinking that my five year old is too young for this. After all, every once in a while, it is nice to pick a book we like as parents, which are not necessarily unsuitable for the children, but are probably not in their radar at this time. And I must admit that my preconceived sense of aesthetics and composition got the better of me initially, allowing me to build up some resistance to appreciating the book. But, by chapter seven the book certainly grew on me. We just read one chapter a day - chapters are short but packed with visuals - but the mounting tension made it tough to wait another day to read what happened next.

Quite a few aspects of the plot, of the characters, are clearly not designed for the under-8 age group, and so, my daughter did miss the nuances, the complex narrative, the shades of gray, wondering who is good, who is bad, why do they trick each other, how are the Pugg boys allowed to do such unsafe things... however, the book did make an impression, setting us off down the path of learning about volcanoes, lava tubes and stormy seas.

And, the book certainly made an impression on both the adults in our family as well, which doesn't happen too often.

[picture courtesy Scholastic.com]
[cross-posted at Saffron Tree]

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